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The Pattern The Garage, August 20th 2002 What a difference
a year makes… |
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a difference the hype makes… NME informs us that at The Pattern’s tour warm up gig at the Metro ‘everyone…is waaay to cool to lift their eyes, let alone their hands, to welcome the rock ‘n’ roll they probably haven’t paid to see.’ I wouldn’t know, I was too busy shaking it at the front with a gaggle of like-minded girls, including the Hello Cuca ladies (there’s always a healthy proportion of girls stuck to the front of the stage when The Pattern play). A boy attempted to crowd surf much to Christopher’s bemusement, ‘What are you doing? This isn’t a stage it’s a step.’ Poor old fashionistas (and NME) they missed out on all the fun. |
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So, tonight at the Garage, The Beatings are supporting. Utterly bizarrely, The Beatings are the hipsters’ hypesters of the moment, the place is crawling with Hoxton victims blindly following a trend, oh so carefully dressed up in expensive Trucker ‘chic’. The Beatings strut their Kermit fronting AC/DC stuff. It’s loud, it’s smokey, it’s very silly. The hipsters are bemused. This is just stinky ole rawk. This can’t be the latest cool thang. They shuffle out, probably heading for the latest new bar that’s taken over a couple of the old handbag/shoe wholesalers that used to line Shoreditch high street but kept all the old fittings ‘cos it’s like rad or postmodern or something. Those of us left in the sweat dripping confines of The Garage gather round for a helping of hipshaking, thumbsucking beat boogie, California style. We get served up a heaping helping from fab new album ‘Real Feelness’. The band hurling themselves headfirst into the ramalama songs as they tumble out. Apart from the girls at the front, nobody seems to be moving to these infectious beats. Weird, these songs were made for mental mod-dancing. |
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As always Christopher wriggles, writhes, handclaps, hops, skips and jumps his way around the stage. Either he’s lost a bit of weight or he’s bought some better fitting clothes as his shirts and trousers no longer seem to be bursting at the seams. Guitarist Jason alternates between getting the crowd clapping along and ferociously beckoning in an urgent ‘C,maawwn!’ way. This is what I love about The Pattern, here are five men playing fast and furious rock ‘n’ roll, but there’s not an ounce of aggression in there. They’re driven by energy, enthusiasm and charm. |
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Halfway through the audience
moves up a gear. There is mucho macho pushing and jumping. There are attempts
at stage-diving. There is crowd-surfing. In his down home space yokel drawl,
Christopher advises people not to ‘ride on each other, unless it’s
someone you know and trust’. A baseball cap gets chucked onstage and
Christopher explains he can’t wear hats on account of his exceptionally
large head. More kinky Kinksy songs get hammered out including new single
‘Fragile Awareness’. Everyone gets sweatier and more crazed by
the second until the sweatiest and craziest bloke (last seen getting a handbag
battering at The Pattern’s Arts Café gig) executes a spectacular
dive from the stage out across the audience and the band play their final
song. No encores, no need. Their work here is done. |
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